
your voice as
Allison Chen & Chloe Cusimano April 11- May 24, 2025
“to finish & the air holds
your voice as
it holds it’s own
vanishing maybe you”
-Ocean Vuong in Dear Sara (Time is a Mother)
‘your voice as” - A two person exhibition speaks to the voice as expressed through the visual. In the photographic practices of artists Chloe Cusimano and Alison Chen, the body becomes voice—a porous site where interior states are made visual, and where self-hood is expressed not as fixed identity but as a layered, shifting presence. Working through self-portraiture and portraiture, both artists engage the image as a form of pictorial poetry, where what is seen moves powerfully toward what remains obscured or in flux.
Cusimano’s cyanotypes images are printed onto cotton fabric then are physically altered collages, quilted, woven—foregrounds the tactile experience of the self as something always being shaped and reshaped. The tension between abstraction and legibility mirrors the artist’s lived “negotiation of visibility”, particularly within queer theory and post-colonial contexts. Here, the photograph is not a document but a site of transformation, where disappearance and emergence happen simultaneously.
Similarly, Chen’s photographic work draws from the intimate terrain of motherhood, unfolding a portrait of radical transformation. Her images dwell in the liminal spaces between joy and sorrow, presence and invisibility, time and timelessness. The maternal body, as captured through Chen’s lens, becomes a metaphor for the temporal: both anchor and ghost, body and voice. Her work speaks to the ways intimacy can both root us and unravel us.
Together, Cusimano and Chen offer distinct yet intertwined approaches to the image as a kind of visual voicing. Their work touches on the impossibility of full representation—how bodies appear, recede, fragment, and re-form—and in doing so, they compel viewers to reflect on the palpable/impalpable nature of identity, and transformation.
Alison Chen
BIO
Alison Chen (she/her b. 1986, New York City) is a visual artist working in video, performance,and photography. She received her M.F.A. from Parsons School of Design and her B.F.A from Cornell University. Chen’s work has been exhibited nationally and internationally, including at the Torrance Art Museum (Torrance, CA) and the CUE Art Foundation (New York, NY). She was a shortlisted artist for the Discovery Award at Jimei x Arles International Photo Festival. Her practice has been recognized by fellowships and residencies at the Wassaic Project and Kala Art Institute. Chen has also had the honor to study under the direction of Magnum photographer Antoine D’Agata. She currently lives and works in Los Angeles, CA.
STATEMENT
I am interested in the complex nature of our closest relationships. Through video, performance, photography, and text, I explore the complexities and confusions that surround intimacy, the dynamics of vulnerability, and the areas where our preconceived notions fall short. More specifically, my recent work approaches motherhood from within this framework. The work confronts the ramifications of the profound transformation into “mother” and the simultaneous shift in her relationship to time and mortality. Ultimately, the work explores the concurrent existence of bliss and fear while reconciling with temporality.
Chloe Cusimano
BIO
Chloe Cusimano is an interdisciplinary artist who combines photography and fibers to visually anatomize inquiries into queer theory, post-colonial theory, and phenomenology. The tension between the opacity of abstraction and the transparency of image making materially corresponds to Cusimano’s own navigation of visibility in daily life. By intimately manipulating and transposing images to cotton and subsequently weaving, collaging, and quilting the fabric into textile objects, Cusimano explores this paradox of visibility.
STATEMENT
My artworks included in this show focus on pattern, abstraction, and intervention of the grid as a format for pushing limits, or on the flip-side, contorting to fit within them. The imagery of the artworks wield my body as a source: for fragmentation and re-composition, finding new patterns and appearances through repetition. The body is possessed by the materials used to capture it in stillness. Further materials are used to caress and then puncture the body holding it in place until the materials themselves disintegrate from their current state over time. An umbrella practice of collage is invoked by the close bond that flat weaving and hand-quilting share. In this selection of works the interdisciplinary nature of the making process is palpable in subjectivity and in texture.
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